The Royal Ballet principal on her late career debut, taking her daughters to work, and playing goodies and baddiesBorn in Devon in 1984, Lauren Cuthbertson joined the Royal Ballet School aged 11 and the Royal Ballet in 2002, becoming a principal six years later. She has danced leading roles in all the great classical ballets including Swan Lake and The Sleeping Beauty, has performed in works by Kenneth MacMillan and Frederick Ashton, and created many new ballets, particularly those by Christopher Wheeldon, who cast her as Alice in his three-act Alice’s Adventures in Wonderland, and as Hermione in The Winter’s Tale. She has recently become principal guest artist at the Royal Ballet and is taking a teaching diploma. She lives in west London with her boyfriend and their two daughters, aged four and two.You’re about to make your debut as Tatiana in John Cranko’s Onegin, based on Pushkin’s classic verse-novel. How are you feeling?It’s a funny sensation making such a significant debut so ...
The main idea of the text is about the duality of a dancer's life and the way they experience "death" and "rebirth".
The text uses the saying, "dancers die twice, the first time when they stop dancing," to highlight the profound impact dance has on a dancer's identity. While this seems sad, Lauren Cuthbertson chooses to see it as a positive: dancers get two lives.
This idea is further explored by describing how dancers, unlike many other professions, don't get the luxury of learning for the sake of learning. However, when they stop performing, they open up a new chapter where they can explore other avenues, learn new skills, and continue to engage with the world in different ways.
Essentially, the article celebrates the unique experience of dancers and their ability to find meaning and purpose both on and off the stage.
The main idea of the text is about the duality of a dancer's life and the way they experience "death" and "rebirth". The text uses the saying, "dancers die twice, the first time when they stop dancing," to highlight the profound impact dance has on a dancer's identity. While this seems sad, Lauren Cuthbertson chooses to see it as a positive: dancers get two lives. This idea is further explored by describing how dancers, unlike many other professions, don't get the luxury of learning for the sake of learning. However, when they stop performing, they open up a new chapter where they can explore other avenues, learn new skills, and continue to engage with the world in different ways. Essentially, the article celebrates the unique experience of dancers and their ability to find meaning and purpose both on and off the stage.
